What Place Remains?

Thoughts, questions, reflections

after TaPRA PG Symposium 2017 at University of Leeds

‘Silence stalks me’, she says.

How much alignment does a politician need between campaign promises

and what is actually delivered to leave a heroic legacy?

The performance of authenticity is not reliability.

Charisma is not indicative of wisdom

or the selfless ability to serve.

What qualifies as an excess of performance in politics?

What performances do we expect of politicians?

Let us unfetter language as we tune down the affect of sound

Silence apportions space.

Someone once said, ‘Silence is possible in an anechoic chamber,

but not with John Cage in it’.

The noise of our bodies, together, in space.

‘Does silence break word or do these words break silence?

You can choose silence but it never chooses you’

Can we dialogue through silence when words,

once articulated,

destroy all other potential words held in silence?

What is the ghost that lingers

in iconic theatres?

Can the national ever be separated from the historical?

Is the unfinished business Shakespeare’s,

Polykleitos the Younger who built the ancient theatre of Epidaurus,

or the people’s?

A longing for some place they lost…

‘One day, in the future, the chicken will become the most studied fossil’

for anthropologists.

How can we create art politically when

politics threatens to turn art into propaganda?

What invocations do we make with the pilgrimage to monumental places?

How does the anywhereness of convergent media

exacerbate our addiction to extract only that which is relevant to our lives?

To reduce what we experience to make meaning of it?

Can we stop wanting to win?

How does responsive design attend to meritocracy’s losers?

Must we be cruel to be invulnerable?

In other words,

can we play without being vulnerable?

‘The blog became a rear-view mirror’,

she reads for the author who is absent,

‘a space where the road behind me constantly foregrounded the road ahead

and the past was always present in the future’ (Pinchbeck 2016).

Can it be a meeting place where only one writes?

Is there place for conversations in a blog?

The journey we make is part of the ghosting

of place and places to be.

If you wait for something to be there for you,

it won’t be.

You have to make it up.

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Highlights of performances/projects produced under Little Arts Academy (2008 – 2012)

Performances  Lights Out Wonderland (2012): Director/Producer/ Playwright The Little Arts Academy Home (2011, 2012): Director/Producer/ Playwright The Little Arts Academy The Prodigies Lab (2011): Director/ Playwright The Little Arts Academy Poems for Andrew (2011): Narrator/Director/ Playwright The Little Arts Academy … Continue reading

an archive on archives and documentation

Word salad of papers presented 

@STR NRN’s 2nd Annual Symposium

http://strnrn.org/2nd-annual-symposium-on-archives-and-documentation-programme/

Thinking about…

Archive, place, memory

and a methodology beyond the archive.

If I raise the ruins…is it possible to glimpse the past in the present?

Will revisiting lunar parables give me

afterliveness in distorted archives?

How does throwing it away make it appear?

Looping digital archives (looping digital/digital loops and narratives/)

pieces of memory and making sense of data.time.space.

Online media archives of protests, punches and otherwise.

Sometimes the archive is the medium is the message.

Fragments of memories

materialising site(s)

I like the idea of archives as active things, speaking…

a way of making present the absence.